Rooted in Motion: The Ten Poem Project (Auntie)1




A short dance film by Sinclair Emoghene.

























A short dance film by Sinclair Emoghene.
2025
sinclair.dance
Mé Duniya is the first live performance test of my Sensorium Project, an ongoing exploration where dance, touch, and soft-robotic sensing meet on stage.





Mé Duniya is the first live performance test of my Sensorium Project, an ongoing exploration where dance, touch, and soft-robotic sensing meet on stage. In this work, the dancers dance with a custom-built fluidic haptic sleeve developed in collaboration with Dr.
2025 · DRT, UT Austin
Mé Duniya is the first live performance test of my Sensorium Project, an ongoing exploration where dance, touch, and soft-robotic sensing meet on stage.
2025 · DRT, UT Austin
sinclair.dance

A collaboration with Stephen Vitiello, made at Virginia Commonwealth University in the spring of 2024.



A collaboration with Stephen Vitiello, made at Virginia Commonwealth University in the spring of 2024.
2024 · Virginia Commonwealth University, Richmond
sinclair.dance

2025 – 2026




2025 – 2026






2020 · The REACH, Kennedy Center, and The Anderson









2020 · The REACH, Kennedy Center, and The Anderson
sinclair.dance

Kaleidoscope of Tuts, Parts One and Two, commissioned by the Kennedy Center for the Millennium Stage and presented with VCU Dance Now, February 2020.


Togethr A Part is an exploratory process work.



A movement exploratory video.


An experiment that explores the intensity of space, sound and movement, in a site-imposed work, in this work, I use the available structure of a standard theater audience seating area as a set design and backdrop.



ROAMS explores the notion of movement versus static to explain the intricacies of the phenomenon “confinement.”

ROAMS explores the notion of movement versus static to explain the intricacies of the phenomenon “confinement.”









This paper is a documentation of a practice-based dance work of the creative process, research and performance presentation of the piece “Nyam chiem.”

























This paper is a documentation of a practice-based dance work of the creative process, research and performance presentation of the piece “Nyam chiem.”
2015
sinclair.dance

Mé Duniya is the first live performance test of my Sensorium Project, an ongoing exploration where dance, touch, and soft-robotic sensing meet on stage. In this work, the dancers dance with a custom-built fluidic haptic sleeve developed in collaboration with Dr. Lillian Chin and her students at UT Austin. The sleeve picks up pressure, vibration, and micro-movement in real time, translating them into shifting light and atmosphere in the space. Every strain, breath, tremor, and grounding turning into visible texture around me. This performance was my first attempt to bring the lab into the theatre, to let technology listen without controlling it. In this work, I ask "how can technology truly serve humans with different body-types and abilities." Mé Duniya (“What is this world?”) is also personal. As my knees change, as my body shifts through injury and age, I am searching for new ways to dance and new ways to understand what the body feels when words fall short.